This post is a Work In Progress.
Updated: 18.02.15 20:50
I had the rare opportunity to participate as PRESS for the YoRHa Musical dress rehearsal yesterday. Although I was busy concentrating on taking photos, I was still able to follow along with the musical and have a couple bits of news regarding how the musical is different from the previous plays.
▲ He says that Yoko Taro wrote the Japanese lyrics to the songs that were originally only in Emi’s “chaos language”. This includes No2’s solo to the song “Voice of No Return” and No21’s solo to “Grandma”.
At the after talk segment after the evening show today, Yoko mentioned that Accord is somewhere in the Kingdom of Night, aka North or South America…!
Saito said they’re also planning something for the 1st Anniversary of Automata, but couldn’t say anything about it.
The big difference between this new version of the play compared to the others is that there’s a huge chunk taken out of the narrative in lieu of new characters and scenes.
All scenes involving Seed, Shion (I previously changed her name to Daisy), Kalmia, and Clematis have been removed.
The new character Daisy is mostly there for comedic affect because of her size… I didn’t find this amusing. I didn’t feel much of an emotional connection to her, but that may change. There is a scene in which she discovers the lifeless bodies of No16, Lily, and a couple others and she cries over their bodies pretty well. That was good. Later we find out that she gets infected by the Logic Virus and is used by Term Alpha and Term Beta to fight No2 and No4 later in the server room.
Without Seed, not only do we *not* get to see her past training and how unsuited she seemed to be as a fighter, I don’t feel like we get the chance to see her “innocent” side nearly as much. She is a sweet girl who is not confident in her own abilities. It’s out of the dire situation that forces her to become strong and protect her friends.
Ver.1.1 added new scenes between Kalmia and Clematis that were absolutely beautiful. I loved it so much; I’m very upset that even the characters as a whole were removed. It’s really a shame.
It also seemed like some of the already existing characters were sort of “melded” into the characters that were deleted. I forget who it was now, but there was definitely a character that acted a lot like Kalmia… very confusing. lol
Granted, I was multitasking to the n-th degree, so maybe my feelings will change, but I really thought Ishikawa Yui’s performance was somewhat flat, like she picked one emotion and stayed that way throughout. That’s not how the character is supposed to be. There are clear ups and downs, a wide range of emotions. I didn’t really feel that.
The musical performances were *amazing* as to be expected. Emi & Marina’s vocals were gorgeous and I had difficulty keeping my composure at certain moments. Hearing Goto Takanori rock out those classic DOD3 boss battle themes live was so much fun!! No2 and No4 also sang a couple songs solo, too. I don’t recall which song it was now, but Ishikawa Yui sang Japanese lyrics to a song that was only originally in Emi’s chaos language…so that will be interesting to get those lyrics written down.
A lot of stage effects helped to illustrate previously hard to imagine scenes, for example, the first scene when the YoRHa squad are descending in their aerial units. There’s a really nice backdrop screen that projected the ocean quickly moving past as though the characters were actually flying. Certainly, the technology available in the musical outmatches the others by far. That’s what having a decent budget will get you. xD
No4’s sacrifice at the end was illustrated much clearer this time. Before we just see her on the same level as No2 when she self-destructs, but this time she overloads her black box *and* jumps from the platform where they stood to explode the server further down, I guess. I imagine this server room is similar to the Soul Box, Meat Box, etc., only it’s underground. That would make me imagine that this particular server is inverted as opposed to the tower type of the “Boxes” we see in NieR:Automata.
There is a new scene at the end showing how emotional the Commander is regarding the “failure” of this mission. I always knew that she took upon herself a lot of guilt for what No2 went through and yet she had to keep on chugging along because that is her duty. She has no power to go against it. In this scene she’s actually talking with “The Council of Humanity”, the same male voice that we hear in the game (or at least, it sounded a lot like him; I’ll have to check if his name is in the credits). She argues with them but is essentially told to suck it up and just do her job. When the call finishes, she is nearly beside herself with anger, regret, and a whole lot of other negative emotions, I’m sure. She angrily throws her staff / stick thing to the ground. This was really great, but I still miss the delivery of her final line better from Aida Runa.
Saito said that he got Yoko’s okay to reveal that Futaba and Yotsuba were dismissed from the Bunker and are somewhere on the surface of the planet.
Sometime after the Pearl Harbor Descent Mission, the Commander felt extreme guilt over the two of them having to undergo screening checks (which basically erase their memory in order for them to do their job without question), so she dismisses them to the planet.
Although we don’t know where they were sent, maybe this move will be putting them in danger, but… we’re led to believe that this choice is the most humane compared to their existence on the Bunker.
There was no specific mention of the “Kingdom of Night” here, so that’s speculation… but it *might* turn out to be accurate at some point, especially after Yoko dropped the info about Accord being in the Kingdom of Night…
201802111300 – AFTERNOON SHOW
2B’s line “So, this is the ocean? It’s pretty.” line is flat, no sense of wonder but rather sorrowful.
The number of deployed units (Y.U.) is displayed on the backdrop on stage. The number continually drops from 16 to 4 as the units get hit.
Goto-san’s guitar “screams” at that part of the song in Normandy.
No21 has an SS unit on her left arm.
No16 takes off her goggles and stuffs it in the front part of her dress.
The four units fight big ball spider machines
The Resistance comes in from the audience
No16 & No2 argue and fight briefly
Rose says that they’ve all been abandoned by the Moon à Emi’s vocal
Dance of the extra Resistance members depicting their past struggles
The Commander says under her breath “Don’t curse me, No2.” It’s unclear whether she’s thinking of the original No2 from the incident in 11937 or the current No2 unit, but probably more likely the current unit.
No16 talks with Gerbera who seems extremely interested in her high-tech gun and asks to look at it. No16 says it’s okay, “Just look.”
No16 & Dahlia argue and fight… and the improve part No16 suddenly kisses Dahlia, who is then defeated by the shock.
Daisy has 2 core reactors.
Great view of Kawaji Emi on the piano
There’s a moment of Anemone taking out her handgun, clearly contemplating or remembering something.
Rose explains that there used to be 160 members in their Resistance.
Lily calls Daisy “Daisy-baachan” and Daisy laughs hysterically… until she gags. (audience laughs). Daisy says that this is the 765th time that she’s told her to call her “Daisy-oneechan”… Lily runs over and hugs No21 and says, “I don’t wanna!”
Prior to intermission is the “Guadalcanal” song/dance segment. No4, Marina, and Emi take turns singing.
The Red Girls summon machines who then lift them up. The scene ends with them all laughing really, really creepily.
Red Girls’ eyes are really creepy!!
Gerbera seems like a combination of Kalmia & Clematis.
Opening dance with Emi singing
What is life? –reason for life
Daisy’s false memories were of a “Food Fighter”
No16 casually puts her arm around Gerbera and later shoves her away when she realizes how close they are
Rose says that she can give the YoRHa girls names like the other Resistance members but No2 says that they can’t until after the mission is complete. No4 is really excited.
Monologue w/ No16 and No21, reminiscing about their training
In the usual spot where No2 has a flashback of Seed, she sings new Japanese lyrics to “Voice of No Return”.
No16: Let’s kick her ass when we get back to the Bunker.
Rose doesn’t try to go back for No16 et al. Very short comment from No2.
New Japanese lyrics to the song “Grandma” sung by No21. The Red Girls come in asking why? why? why?
Emi scowls powerfully as she sings
Emil’s song – quietly plays during the overload, from the new tribute album?
Shion = Margarete
Daisy’s heart shatters when she survives the attack by the Goliath but the others don’t. The Red Girls come in and give her a “new reason to live”
Monologue by No2 & No4 – sound of a ticking clock, “The time has come.” This scene remains the same from Ver.1.1
Dance w/ machines & Emi singing
Back on the bunker Futaba relays that both No16 and No21 are gone
The Red Girls tell No2 and No4 that their mission was to gather data to create the next generation of androids, not necessarily to destroy the machine server.
No4 says Kaine’s classic curse
The Commander contacts the Council of Humanity – Voiced by Yasumoto (Pod042)
201802111300 – AFTER TALK
MC: Daisy, Rose Guests: No21, Yoko, Term Alpha, Term Beta
Yoko: It’s a horrible story.
Yoko: I tend to dislike my own work, but when I see the actors take it and bring it to life, I often find myself crying at their great performances.
No21 talks about Operator 21O
Term Alpha & Term Beta mention that their tone of voice is slightly different – Term Alpha is more “innocent” and young sounding; Term Beta is more robotic and creepy.
Daisy ate a lot of sushi.
Term Alpha is just 17 years old and is tends to laugh very easily at things
Term Beta is more serious and calm
Yoko talks about how the YoRHa group solute “Glory to Mankind” with their left hand rather than the right hand, which is what humanity used to do. This is to show respect to humanity since the androids…are not human.
No21 used a lily scented perfume and smells good… contrasting that is Daisy, whose pink jacket was intentionally stained with coffee… so she ends up smelling like coffee.
They mention how noisy the Resistance girls are.
201802111800 – EVENING SHOW
No16 and Dahlia adlib scene: janken. Dahlia wins while No16 looks like she’s baffled at what just happened.
Monologue w/ No16 and No21 – No16 mentions how much she hated No21 during training; they both mention how they can’t see the future, the way forward
No2’s solo song to “Voice of No Return” takes place where the flashback scene with Seed used to be.
Gerbera is affected by reverse hacking from the tablet
Lights representing Lily’s Gravity Wave move from the stage to the audience to depict Lily directing the wave
No21 puts on her hood during hacking scenes
No21 sings a solo song to “Grandma” with Japanese lyrics
Lily calls Daisy “onee-chan” in the end and they hug. The four link to No16 and gather their energy to defeat the Goliath
No4: We live to die. This is our fate.
Council of Humanity: Our hands have already been soiled.
White’s dance to the song “Faltering Prayer (Dawn Breeze); several machines in black dance around her, Futaba, and Yotsuba. Eventually White joins in with their dance, possibly signifying her slowly regaining her composure and accepting her duty.
No2’s solo battle – she mentions that she learned “strength” from No16, “kindness” from Daisy.
This new teaser uses clips from both the Ver.1.0 and Ver.1.1 version of the stage plays as well as clips from the NieR:Automata music concert. This is interesting to me since the Ver.1.1 state play was never released on DVD, so those are some scenes that I haven’t seen in over two years. <3
And here’s the teaser for the YoRHa Boys stage play that will be held from January 31st to February 4th.
It starts with a line we are all very accustomed to by now…
Everything is designed to be destroyed.
Throughout the video, various words stream across the screen, many of which are terms and locations vital to the story. Here is a quick list of the words that I spotted:
生存 – Survival
作戦 – Mission
武器 – Weapon
人類 – Humanity
沈黙 – Silence
疑念 – Doubt / Suspicion
学園 – School Academy
訓練 – Training drill
進化 – Evolution
命令 – Commands
夜の国 – Kingdom of Night
This is what North & South America are called during this time due to the Earth’s locked orbit. That particular side of the planet is perpetually trapped in darkness.
人類軍 – Forces of Humanity
5013 – The formation of the Forces of Humanity began. New “battle type” androids were constructed.
アトランティス – Atlantis
11502 – The sunken city is discovered by the Bio-machines; the Forces of Humanity dub it “Atlantis”.
機械生命体 – Bio-machines
二期生 – Second Generation
九号 – No9
カグヤ – Kaguya
11810 – This is the 6th satellite in Earth’s orbit where they were experimenting on Bio-machine cores; however, an explosion occurred during an experiment and entirely destroyed the satellite, which eventually plummeted into the ocean.
ラボ – Lab*
11815 – This is the satellite that was put in use after the destruction of the Kaguya. The Lab was to be used for experimental research.
11937, July 7 – The lab is heavily damaged by fire.
ブラックボックス – Black Box
11928 – The black boxes were first constructed.
ヨルハ – YoRHa
11932, April – The new weapons, YoRHa, were constructed to fight the Bio-machines.
実戦部隊 – Active Combate Squadron
奪還作戦 – Rescue Mission
融合体 – Fusion body
ヨルハ部隊 – YoRHa Squadron
アンドロイド – Androids
実験部隊 – Experimental Squadron
11942, March 1 – The new experimental male squad rolls out and is dubbed “M002”.
M部隊 – M Squad
M002 – The experimental M Squad.
クーデター – coup d’etat
11942, May 5 – A coup breaks out among the ranks of the M Squad but is brought under control two days later.
Today’s issue of Famitsu magazine features 6 pages worth on NieR:Automata. We get some more information regarding the Plug-in Chips that you equip to give you unique abilities in and out of battle. You are able to equip up to three different chips at once to give you added customization of your character and gameplay preferences.
We’re also introduced to a “new” character, Anemone; however she is not exactly new. She is a returning character from the YoRHa stage play, which you can read here.
Briefly, Anemone is a survivor from the 8th Machine War. She lived with Rose and several other Resistance androids on the islands of Hawaii.
Highlight for further spoilers from the play: [ When the first generation YoRHa androids are sent on the Pearl Harbor mission, the Resistance teams up with them but are utterly decimated in the battle with the Bio-machines. The last we see of Anemone is when she is forced to kill YoRHa No21 because she was infected with the Bio-machine virus. We were lead to assume that Anemone died there as well. ]
We’ve already seen a photo of Anemone in her green hood back in November, which I discussed in this post. It looks as though the eye insignia may represent the Resistance.
These pages of Famitsu listed Anemone’s voice actress as Kanou Chiaki, however, in Famitsu No.1468, they printed a correction. Anemone will be voiced by the same voice actress as Operator 21O, Hatsumi Meari.
Dengeki PlayStation will host their first NieR:Automata Live Broadcast this Thursday, December 15 at 8:00PM (Japan Standard Time).
More gameplay footage and new info is scheduled to be released. Ishikawa Yui (2B), Hanae Natsuki (9S), Saito Yosuke (SQEX), Nishimura Eijiro (PG), and Tadatsugu (MC) will be on the show.
Fans have suggested that potential areas of discussion may revolve around the upcoming demo and/or Jump Festa this Saturday, December 17th. Remember, the new NieR YoRHa/2B designed hoodie will be available first at the event before it’s brought over to the SQEX e-STORE.
Personally… I won’t be able to watch this live as it’s happening since my company scheduled an “enkai” that night. I’m really sorry about that, but I will get home to report the new goodness as soon as I can! Thanks!!
The original timeline was published in the DOD3 Complete Guide, then scanned and edited by me. Please feel free to use this image as you wish–but I would greatly appreciate the credit for putting it together. The actual PSD file is almost 150MB worth of details and layers and many hours of work and research.
Also, try not to get bent out of shape to see that this image does not designate any specific shift in worlds between the DOD universe and NieR. Interestingly enough, no where in the giant DOD/NieR timeline printed in the DOD 10th Anniversary -World Inside- book does it state any sort of jump to a parallel universe or other dimension. It merely continues through the course of time and shows how things potentially flow together. You may take that as you will.
Addendum: I understand that there was a discrepancy relating to DOD2 and where the novella “The Garden of Light” ought to be; however, I have kept the timeline as it was printed. If you feel that I ought to edit this to reflect where the novella should be, please let me know. My memory of DOD2 is very old, since I only played it once over ten years ago. If I get a lot of comments to edit this, I will.
According to the newest issue of ILCA P@pper (Vol.05), some sort of “Reality & Games” event will be announced soon. In very Yoko Taro fashion, information on this topic is quite cryptic at the moment, but hopefully we’ll have a clearer idea of what’s going on in the next issue of ILCA P@pper, however the exact release date has yet to be announced.
Although the announcement in Vol.03 of ILCA P@pper stated that the stage play “YoRHa” would be released on DVD today, February 28, there had been no information about where or how to purchase it until this tweet from Haruna Arai, the young actress who played Term B in the Earth cast:
But, lucky us! The site is now up and you can order the DVD here: yorha.com/dvd.
2 DVD disc set of Earth and Heaven casts, priced at 6,800yen*. Comes in a tall DVD case with B5 insert booklet. Orders can only be made within Japan as far as I can tell since payment is only accepted upon arrival (about 1 week).
It was just released in Vol.03 of ILCA P@pper that the DVD of the YoRHa stage play will be released on Saturday, February 28th for 6,800yen! It will include two discs, one for each of the casts, Earth and Heaven.