Major Speculation: Connecting The Theory About Emil and The Machines with the Idea that Emil is Hiding a Huge Secret

This post contains spoilers and speculation. Please read with caution.

This is a thought that I had last night that’s delving a little deeper into the realm of speculation. Things may or may not fit well with the new idea connecting everything, but let’s just have a little fun and suspend disbelief for a little while and let me indulge in this thought.

Firstly, let’s review the theory about Emil & the machine lifeforms that I’ve been contemplating for a long time:

  • Emil was originally known as No7 as a subject in the National Weapons Laboratory that was performing experiments on Maso during the early days of the post-6.12 world of NieR. After losing his “human” form and merging with his sister Halua aka No6, he gains not only her body but also her Maso based magical ability.
  • When the aliens invade in 5012, Emil fights them off with many copies of himself. Within the 100 years after the invasion, Emil has created over 84 million copies of himself, effectively also spreading more Maso into an otherwise Maso-free world, assuming that the Replicants succeeded in cleansing the world as they were originally intended to do. At least during the time of Automata, we know Maso still exists in the form of the YoRHa and Pod attacks.
  • 12 years after the beginning of the alien invasion, the aliens began constructing machine lifeforms, the majority of which all have a round head that resembles Emil. The question remains why the aliens designed their machines in the image of Emil.
  • Perhaps the aliens commandeered many of Emil’s copies, reprogrammed and stripped them of their individual thought to accentuate his original programming (as acquired when he merged with his sister, Halua): Destroy the enemy.

So, in this theory, it’s plausible that:

Emil’s Secret…

Now, moving on to what Yoko said in the Game Informer interview:

“Emil actually holds a great secret of the part of the Nier world and it’s not all revealed with the games I’ve created so far. I’m not sure if I’ll have an opportunity to disclose that secret, but if I do, I might one day create a game that delves more into why it’s Emil and why I continue to wear Emil’s mask.”

Game Informer

According to this statement, Emil seems to hold a secret that we haven’t heard about yet, but what if this secret is exactly this theory? That essentially all of the machine lifeforms are Emil copies? And this is also why Yoko continues to wear an Emil mask; basically because everyone is Emil, or rather “a child of Emil”.

Okay, hold on to that for a moment. Following the Maso “crumbs”, Yoko had stated that Maso does, in fact, still exist in the time of Automata. This is what he says in the 50 Q&A segment from the NieR:Automata Strategy Guide:


Q38. It appears as though “Maso” also exists in the world of NieR:Automata, but how is it used in battle?

Yoko: There isn’t a lot of Maso, but it still exists (in Emil’s attacks and such). Additionally, Maso is converted into the skills of the YoRHa androids among other things.

50 Questions asked to yoko taro, nier:automata strategy guide, as translated by rekka alexiel

EDIT: It was suggested that perhaps the secret about Emil has something to do with his original self, aka, something that occurred during the National Weapons Laboratory time when he was made into a weapon to combat the Legion. But I’m a little skeptical about that because Yoko also mentioned that whatever secret Emil is hiding is directly related to why Yoko continues to wear the Emil head mask. My thought behind that is that there are still multiple Emils around, that… almost everyone is “Emil” at this point.

So, if you followed my train of thought in the post above, I think it might still be closer than speculating what could have happened to the original human Emil when he was made into a weapon.

Yoko Taro Looks Back at 2018 and Ends With a Sweet Rap!

In a recent interview with 4Gamer, Yoko Taro answers a couple questions as he reminisces over the past year… and it ends on a typically odd Yoko note.

Q1: Among the games released in 2018, which one impressed (or shocked) you the most?

The “Tiny Arcade” series. Releasing licensed mini arcades first began on Kickstarter. As one who pretty much grew up in arcades, I was surprised that the feeling of the times could fit into such a tiny thing, and before I knew it, I ended up importing them all. It’s pretty easy to get through domestic forwarding services, so if you’re a fan of these mini arcades, by all means… (And I’d really love it if somebody, somewhere, could make mini table arcades in the future.)

Q2: What do you think was the most impressive piece of entertainment sold or released in 2018?

I was shocked the most by the move “The Greatest Showman” this year. It’s about a man who’s failed at his job and starts a freak show. The story is pretty flat and it’s not a movie that appeals to your ideological beliefs, but the “show” that fits between the story scenes were amazing. The idea of the showman who “abandons all and devotes himself to the show” is embodied in the movie itself in a meta-structured way that “abandons the humanity of the main character and the story”. When I realized this, I found myself crying in the theater and I couldn’t get up for a while after the end of the movie. I think I was just overwhelmed and tired with various things going on in my life at the time, though. As member of the entertainment business myself, it made me think what you win and lose. I think this was a movie that really confronted me with this.

Q3: In 2018, who spiked your interest the most?

I thought about talking about “someone who released something in 2018”, but I suppose I’ll change that thought a bit and answer candidly. I would say Ueda Fumito and Iuchi Hiroshi. I honestly can’t wait for their new work.

Oh, I’m also curious about Hijikata Kurone and her needle felting dolls. The way she melds the soft curves of animals with a feminine figure is so facinating. I’d like to get one someday (although it’d be difficult to obtain since they’re sold separately). 

Q4: What is your New Years Resolution for 2019 and message for our 4Gamer readers?

I feel like this was a year of events, with the YoRHa Musical, YoRHa Boys and KimiShini Zero_KAI stage plays, as well as the NieR and SINoALICE orchestra concerts. This is all because these titles were a hit and all the fans and customers supported us. Thank you very much.

Therefore, I plan to be reduced to nothing in 2019,
Simply, I will not die that easily. Yoko Taro

Yo Yo

Gaming industry hang on
shining young guys crush 'em
find the cute guys kill 'em

medical exam escape the numbers
here is my liver all worn out
here is my doctor all pissed off

hee hee hoo hee hee hoo
Advent of Lamaze
Yeah, Thank you.

(Aw, give me a break. No one’s going to call me to work on this project next year…… What is Lamaze……?)


Source: 4Gamer
Translated by: Fire Sanctuary

Yoko Taro Livestreams a Bunch of Shooters

Yoko Taro appeared on a special livestream by Famitsu featuring several classic vertical shooting games. Here’s a list of those who hosted the show:

The beginning of the program started out with information about the live concert information scheduled for February 2019.

Shooting LIVE 2019 – Vertical Shooters NIGHT

There will be a live music concert and DJ event on Thursday, February 21 at Takanobaba AREA. The venue opens at 6:30pm, starts at 7:00pm, and finishes at 9:00pm. All tickets will be standing!

  • Standing Ticket: 4,500 yen
  • Standing Ticket + Original Merch: 5,000 yen

* An additional 500 yen 1 drink fee is required upon entry.

The concert will feature music from Espgaluda, Battle Garegga, the Touhou seires, Terra Cresta, and many more!
Additional music includes IKARUGA, Radiant Silvergun, and many others!
The event will also include a talk event with ZUN (Team Shanghai Alice), Namiki Manabu (Grid), Hosoe Shinji (Super Sweep), Matsumoto Daisuke (Cave), Yoko Taro (Bukkoro).
Tickets are now available on Peatix!
At the end Sugihara-san from Famitsu joined the stream to mention the NieR:Automata “Game of the YoRHa Edition” on February 21 as well as the NieR: Orchestra Concert blu-ray release on February 27. Lastly, he mentioned that Yoko’s latest stage play “Kimi Shi ni Tamou Koto Nakare / Thou Shalt Not Die Zero_KAI” will be released on blu-ray sometime in 2019!

Santa Saito’s Christmas 2018

Saito Yosuke hosted a lengthy livestream talk show for Christmas, showcasing a bunch of idol projects he’s working on as well as various gaming projects.

About three hours into the program, Yoko Taro, Okabe Keiichi, and Taura Takahisa joined the show to discuss a little bit about Yoko’s series “Kimi Shi ni Tamou Koto Nakare / Thou Shalt Not Die” before switching gears to NieR:Automata.

Below are a couple images and the various information that we were given about each topic!

“Kimi Shi ni Tamou Koto Nakare / Thou Shalt Not Die” Vol. 7 to be released on Friday, January 25!
“Kimi Shi ni Tamou Koto Nakare / Thou Shalt Not Die” – Yoko Taro & Moriyama Daisuke Digital Live Drawing & Signing Event – February 11 at Gamers in Akihabara. To participate, you must go into the store and pre-order this issue of the manga to receive a lottery ticket. Those selected to participate will be announced online and at the store on February 1st. More information here.
“Kimi Shi ni Tamou Koto Nakare / Thou Shalt Not Die Zero_KAI” Blu-ray Release Spring 2019
Orders will be directly through Dear Stage (including bonus item) and Amazon
“Kimi Shi ni Tamou Koto Nakare / Thou Shalt Not Die Zero_KAI” Theme Song “Senkou no Hana” to be released [digitally] in 2019!
“NieR:Automata” Game of the YoRHa Edition to be released in Japan on Thursday, February 21 for 4,800 yen!
The GOTY Edition features a reversible cover of the characters with and without the visors.
NieR: Orchestra Concert blu-ray cover.
NieR: Orchestra Concert 12018 to be released on February 27, 2019 for 6,300 yen (plus tax). A bonus script book will be included if you pre-order the blu-ray.

Source: NicoNico Douga