Just last night was another fun “Game Sakaba” segment with many folks from the NieR development team and more in which we were able to watch the guys play around with the new system from SEGA in which it lets you play actual UFO catcher games through a simple touch on your smartphone!
I will not be covering the main portion of this livestream regarding the UFO catchers, but you can watch the full broadcast from the link below:
Music: Song of the Ancients / Atonement (Ver.1.1a)
Size: 500ml
▶︎ New “Smart Toy” brand anitech by HIBINO
Much along the same lines as the PSYCHO-PASS smart toy that was released in 2016 which connects to your smartphone and transforms, several NieR:Automata themed items are currently under development. Here’s a look at the PSYCHO-PASS toy:
Firstly, here’s the mock-up of 2B’s sword, Virtuous Contract:
And secondly, here’s the mock-up of Pod042:
Please note that there seems to be three pods shown in the image on the left, but these are the individual stages in which the smart toy will effectively morph into. They’re currently debating what size to make the smart toy, as if they go with a 1:1 ratio, it might be too large for most people (as there’s little storage space for most in Japan). They demonstrated generally how large a 1:1 ratio would look like in the image on the right.
▶︎ Happy Birthday, Yosupi!
Yosuke “Yosupi” Saito’s birthday was on August 25, so the gang gave him a little birthday celebration including a song/rap by Yoko, Namio, and Ui. The only thing was… the girls couldn’t quite hear the BGM track to be able to sing their lines very well and it was kinda a mess in a hilarious way. They later tried it again and it was a bit better, but it was a little painfully obvious that they didn’t perform a technical rehearsal before the livestream… lol
Music written by Keiichi Okabe (DJ Okabe)
Lyrics written by Yoko Taro
Performed by Mio Hanana (Diva Namio) & Ui Hinagata (Diva Ui)
▲ The lyrics were color coded for the performers.
Red: Yoko
Blue: DJ Namio
Pink: DJ Ui
Green: DJ Namio / DJ Ui
What was really funny about this is that Saito even ratted them out, saying that they needed to practice and rehearse more, which to anyone involved in productions like this, is an ABSOLUTE given. There’s no excuse for them not to hear the BGM and therefore mess up, but even the second time through, they still kinda messed up, so… yeah, they needed a couple more takes in rehearsal. haha
Here’s a look at Yosupi’s cake that they gave him. The first photo is pretty funny with Yoko’s head on the side. For the actual cake, you can see that they printed a photo of Yosupi in his 9S cosplay that he wore for the World Cosplay Summit in Nagoya earlier this month.
They even made a large poster of the same image of Yosupi as 9S (which he dubbed 54D) and unveiled it during the program. For some reason, the camera focused on his knees, maybe at Yoko’s request.
They also made some small acrylic stands of Yosupi and Yoko in their cosplays from WCS2024.
▶︎ NieR:Automata Ver.1.1a – Season 2
▶︎ The Limited Edition DVD/BD Boxset Bonuses:
Digital jacket with original artwork by character designer and chief animation director Jun Nakai
New short story by Jun Eshima, 笑顔ノ君ヘ “Egao no Kimi e” (To you who smiles)
Drama CD “fa[T]al error“
Collection of production materials, “Elements of NieR:Automata Ver.1.1a 002”
”Pod’s Records 002” Illustration Book
Replica Disc
Special Illustration Card(s)
Virtuous Contract
▶Over 130cm of an overwhelming presence with realistic texture ▶Reproduces battle scenes with vibration, light, and sound effects based upon movement ▶Secondary product: Pod042 remote control ▶Includes voice recordings of the main character, 2B ▶Comes with unique serial number engraved ▶Scheduled for release in Autumn 2025
Pod042
▶Automatic transformation mechanism ▶Reproduces laser beams with sound effects and light ▶Can be remote controlled with the Virtuous Contract or smartphone ▶A special voice recording plays when stroked ▶Includes an alarm and alert function with Pod042’s voice ▶Comes with unique serial number engraved ▶Comes with dedicated stand ▶Scheduled for release in 2027
▶︎ The Next BAKUKEN Stage Play in 2025!
They let slip that there’s another Bakuken stage play set for 2025, and we’ll hear more about the details later in December, maybe around Christmas along the same lines as the previous Saito Santa livestreams, which officially ended in 2022. This will mark the 4th official play, 3rd in terms of story, which should continue the story from the last one in which we saw the appearance of Kyosuke Suga as Michael. Although I’m very excited to see him back, if that’s the case, it will be hard to see him as a BAD GUY in need of saving by Yatsume…!! The implications for the whole Bakuken stories in terms of the overall Yokoverse is CRAZY!
Absolutely insane take: Could Yatsume actually be the basis for Accord…? We know she’s immortal and will always come back to life due to “reasons”… It would be interesting if this is how Yoko envisioned fusing everything together. This next play might be the last for Bakuken… before Yoko gets another idea for something brand new.
More news will follow when it’s been announced! Please stay tuned!
The Single CD for the NieR:Automata Ver.1.1a anime Season 2 ending theme, “Ashes and Prayers” (灰ト祈リ / hai to inori), will be released on Wednesday, September 4.
Pre-orders can be made from various venders here. There are several different versions that will be released as well, some with a companion blu-ray disc of the music video or without, plus there is also a limited edition version that comes with a bonus large CD jacket.
It will also be coupled with the songs “Normandy” and “Guadalcanal”, which Keiichi Okabe explains have been updated to include all GEMS COMPANY members rather than only Yukino Akaba & Mikoto Hase as in the 2019 version.
— 岡部 啓一 / Keiichi Okabe (@MONACA_okabe) July 27, 2024
These songs were originally composed by Keiichi Okabe for the YoRHa stage play in 2014, and Yukino Akaba & Mikoto Hase from GEMS COMPANY covered them for the YoRHa Ver.1.3a stage play in 2019 and YoRHa Ver.1.3aa in 2020. Reina Tanaka also covered the song “Guadalcanal” at the YoRHa Ver.1.2 Musical in 2018.
NieR:Automata Ver.1.1a Anime Season 2 Special Program
Updated: June 28, 2024 – 17:57pm (JST)
Welcome to yet another long-form reaction piece dedicated to the Yokoverse. This is in direct relation to the recent NieR Automata Ver.1.1a special broadcast that aired early this morning at 12:30am (JST). I wonder if anyone was able to see it? If not Aniplex made it available on their YouTube channel, which you can watch below!
That being said, this post is rather long, so please feel free to skim as you like, and if you find something interesting here, I would love to hear from you! It’s been a while since I’ve posted something this long, so if you find any goofs or other oddities, please feel free to let me know and I will rectify the issue right away!
Moving on, this is again in response to the latest information that we’ve been giving about Season 2 of the NIeR:Automata Ver.1.1a anime.
The first segment of the program recaps Season 1, introducing the characters, the overall plot and conflict between androids and machines.
▶︎ Interviews with the Creators
Yoko Taro – NieR:Automata Ver.1.1a Series Structure
With the release of season 1, they’ve heard from many people who haven’t played the game but still enjoyed the anime without any problem, so Yoko first reiterates that it’s not necessary to have played the game to enjoy the anime. “I’m really happy to hear that people who haven’t played the game have in fact enjoyed the anime.”
Yosuke Saito – NieR:Automata Ver.1.1a Supervisor. “The project started with me wanting to do an anime, so it’s really become a deeply thoughtful work. It’s quite profound.”Shota Fujii – NieR:Automata Ver.1.1a Animation Producer. (The sign on Masuyama’s logo in the background says: “Work comes first,” which is a sort of excuse why he didn’t appear in this program.)
For the most part, since Season 2 is merely a continuation of Season 1, animation producer Shota Fujii mentions that there won’t be any great changes. They are still dedicated to authentically reproducing the events of the game in the anime format, so Director Masuyama is still working to that end.
Yoko goes on to say that he really feels as though Director Masuyama has pulled out all the stops for Season 2. There was more interaction between the game and anime sides for Season 1, but this time for Season 2, Masuyama has really stepped up to really hit this season out of the park; Yoko mentions how impressed he is with the quality and vision of the scenes.
Regarding the conclusion of the anime, Saito mentions that there’s generally two different ways to enjoy the anime: one from the perspective of someone who’s already played the game and knows the ending, and those who begin with the anime and are curious how things will turn out.
“Season 2 will absolutely not disappoint!” ーYosuke Saito
Regarding the “original” feel of the anime, Yoko goes on to explain:
“Prior to the broadcast of Season 1, the scenario for both seasons were already complete, but so much has actually changed since then. For example, somethings have changed in part with direction by Masuyamaー It’s not anything huge, but the small nuances with the details and wording.”
Fujii continues:
Merely in translating the story from a game to the anime medium, things are bound to change. In a positive sense, the further on they progress with the anime, the further separated it gets with the game, and therefore there’s a lot of adjustments that have to be implemented. For example, if it’s an anime, “it’s okay for this much of a character’s personality to come up to the surface, right?” Things like that. For characters like Lily and Jackass, we’re able to see them from a different perspective in the anime this time around, so we adjust them to best draw out their character in the anime format.
Regarding the bits of information that were told about the Pearl Harbor Decent Record, which was told in Season 1, Yoko mentions that more will be revealed in Season 2, and of course anyone who has been a fan of the YoRHa stage plays since the beginning, will know what he means. We were already given an amazing shot of the whole YoRHa/Resistance team last season; I can only imagine what else we might get this time around. Of course, it will be heavily A2 related.
In terms of the ending, it seems as though both Yoko and Masuyama had different ideas regarding the conclusion of the anime and they had a little back and forth about it, to which in the end, they came to something that neither one of them had discussed before but still does a nice job of literally meeting halfway. So, although it had been hinted at before, it seems that we might be getting an entirely new ending for this version of the NieR:Automata story, which will be quite interesting.
Lastly, Yoko mentions how impressed he was with Director Masuyama when he said that he wanted to do something a particular way. Saito continues on this thought by saying that Masuyama often gave his input on how to best depict various scenes, which always made people gasp in amazement, “Wow, that’s great!”
Regarding Yoko himself, Saito mentions that he can be a bit difficult to work with, but once you reach a point of trust, things tend to flow smoothly. “I think we were able to create a team that really works well together.”
▶︎ Action Scenes with IDEAL
Since so much of NieR:Automata is focused on the action, Season 2 will be utilizing a slightly different method of producing those amazing action sequences that NieR:Automata is known for.
And so the multi-talented Kaori Kawabuchi and several members in her sword performance team, IDEAL, were asked to assist the animation team by providing video resource materials with specific camera angles for various action scenes in the anime. By utilizing multiple camera angles, they hope to create more fluid and realistic movements for those intense battle scenes.
— 村尾敦史（Murao Atsushi） (@atsushi_aratame) June 27, 2024
Fujii goes on to explain that even if they are able to create more realistic movements in the anime through this method, they have to be careful that they’re going too far away from the original source material in the game, and therefore the characters don’t feel right.
“We’re not just aiming to make things look cool.” ーShota Fujii
Explaining further, Fujii mentions that the animation team talked a lot about what other shows had done with certain movements and scenes and wondered if they could do the same thing in this, but often times it lost the feeling of what makes NieR “NieR“, so they weren’t able to use some of those ideas. The image was to make it feel more like the game and closer to what the viewers expect.
If you haven’t seen the anime yet, and you’re wondering where to begin, Yoko says it’s okay to start with Season 2 since there are so many action-packed and memorable scenes in the second half.
“I just recently saw the video of the rough storyboards, but there was hardly anything for me to say other than ‘That’s awesome’, and so ended the conversation with Director Masuyama.”
“I hope you watch it!” ー Yoko Taro
▶︎ Season 2 Key Visual
NieR:Automata Ver.1.1a – Season 2 Key Visual | Twitter
Saito mentions that we’ve all probably seen it already, but the certain character that appears in the key visual for Season 2… we’ll be seeing a lot more of her this time, so be prepared for that!
As an aside, this is the Red Girl, which first appeared in the original YoRHa stage play in 2014, penned by Kaoru Asakusa. The play wasn’t acquired by Square Enix until 2018 with the release of the YoRHa Ver.1.2 Musical, from which was largely inspired by the design aesthetics in NieR:Automata.
【INFO】
生と死を繰り返す螺旋に…… 『彼等』は囚われ続けている。
They are perpetually trapped… in a never-ending spiral of life and death.
— TVアニメ『NieR:Automata』（ニーア オートマタ） (@NieR_A_ANIME) June 12, 2024
▶︎ The Puppet Play (Ningyou Geki)
From the start of Season 1, each episode ended with a really cute “puppet play” segment, as you can see below. These were largely humorous, often giving more detailed information on the story and characters that might not be so easily assessed simply by watching the show. The good news is that Season 2 will continue this tradition, so you can look forward to many more fun instances of these silly puppets!
Below is a look at the 2B puppet, and you can really get a sense of scale with the final picture. The puppet is hardly any bigger than your typical ballpoint pen!
Now, if you weren’t already aware, each and every aspect of these “Puppet Plays” were created from scratch, from the original illustration designs, to cutting out the materials and building the puppets, to even the background setting and stage to be photographed. They’ve really done an amazing job!
▶︎ Side Quest: Amnesia
This is a pivotal yet optional side quest in the game, in which it details the events of a former YoRHa Type E android and her struggle between duty and autonomy. It will be really great to see this depicted in full within the anime.
▶︎ Season 2 Opening Theme
The opening song for Season 2 will be performed by LiSA and is entitled “Black Box”.
“As a fan of both artists, I’m beyond elated to hear them collaborate together.” ー Yoko Taro
Lyrics & Composition by Hiromu Akita (amazarashi)
Performance by LiSA
Hmm… Let’s take a look at that again… As an aside here, while this shot looks oddly reminiscent, I’d like to display them together… I’m pretty sure this was used in reference for… Absolutely amazing job!!
“First and foremost, as a fan of both artists, I’m beyond elated to hear them in a collaborate together. As for me personally, as someone who’s involved on the NieR series, I’m also very, very happy.” ーYoko Taro
“The first time I heard LiSA sing this song, I felt like it was such a great “anisong” (song for anime) and it was really put together well.” ーYosuke Saito
“I thought it was a really cool song, and combining it with various imagery, I feel like it really comes alive.” ーShota Fujii
“We wanted to go with projection mapping for the Season 1 opening, so we thought it would be cool to continue that tradition and expand upon it for Season 2. We hope everyone will look forward to it! I think it’s really come together in an awesome way, so I’m really excited for everyone to see it!” ーShota Fujii
And going forward with this thought, it seems as though this is right around the main climax of the story which deals with an all-out attack by the YoRHa forces against the machines, in which 2B and 9S are active participants on the front line.
▶︎ Season 2 Ending Theme
“After so many talented people like LiSA, amazarashi, and Aimer, simply thinking the Season 2 ending would be just me and Okabe, I really didn’t want to do it…” ーYoko Taro
Saito goes on to say that “I don’t often ask Yoko for favors, but this time I was adamant about it, and that I wanted him to write the lyrics and Okabe would do the composition. Since I was the one who got the whole thing rolling to begin with, I really wanted to end it with Yoko and Okabe.”
“I was honestly very happy but also felt a great deal of pressure. It was a joyful moment that encompassed the feeling of wondering if I could actually pull it off.” ーKeiichi Okabe
Basically, they’re given the same amount of time and opportunity given to super famous names like Aimer, amazarashi, and LiSA, so that alone puts a lot of pressure on them to create a really great song. If you line them all up, you begin to see their sort of style, whether it be rock or more like a typical anisong, but that actually helps them to choose the road less traveled. So, rather than being worried about how it will fit in with the other big-names, Okabe says that he’s more excited to share it with everyone in the end.
▶︎ Main Points in Song Creation
Since the majority of the NieR themes were originally written with companion vocals, and so Yoko explains that he wanted to do the same for the anime. The lyrics shouldn’t be the main focus of the track, however, and should be on the same level as the BGM, how the two complement each other. He mentions that he wanted to try for something complex. Rather than the lyrics slapping you across the face, he wanted you to experience it first and be confused, but upon listening to it again, you gain some semblance of reason.
Lyrics by Yoko Taro
Composition by Keiichi Okabe (MONACA)
Performance by GEMS COMPANY
GEMS COMPANY is an all-female virtual idol group that was created by Yosuke Saito in 2018. Produced by Square Enix, management by Dear Stage, music composition by MONACA, and video production by ILCA, the idol group leans more toward a real-life idol group rather than the typical Vtuber identity. Basically, this is exactly how the original YoRHa group was founded as early as 2012.
Saito goes on to explain that since two members of GEMS COMPANY already had experience with the “Yoko World” via new renditions of the classic YoRHa stage play themes like Guadalcanal, that would be an easy way to involve the entire group on the project.
What’s maybe unique about this song is that it’s based on 3-lines that interact in unusual ways, for example, the starting or ending point, or maybe there’s an interesting syncopation with the lyrics that don’t necessarily line up perfectly together. Yoko mentions since he was working on each line individually, he initially thought he’d need to put in 3x the effort, but it quickly became more and more complex so it was more like putting in 10x the effort. It took quite a long time to complete.
Although, Saito initiated the order to GEMS COMPANY, which is pretty much an idol group, it was Yoko’s wish to have them sound NOTHING like an idol group. For example, he didn’t want a main vocalist in the center with the others mere accompanying them, nor did he want a melody line sung in unison.
“When he told me this, I was like… Oh, okay…” ーKeiichi Okabe
It seems like Okabe was rather inundated with various creative ideas to produce a song, so he must have been tasked to the limit to create something that would satisfy all parties involved. He first began working on the song with the idea that it will be a 90-second piece for the ending, and from there he worked on how to layer the different voices upon each other.
“It might not live up to everyone’s high expectations, but I think we were able to come up with something close to the sound of NieR, so I hope you look forward to it.” ーYosuke Saito
Plus, as a special bonus for this program, Yoko asked Saito to release the full 90-second version of the ending theme.
“Yeah, all I can do is oblige…”ーYosuke Saito
They may such a great team!!
▶︎ Looking at the Lyrics
Here’s a brief look at the lyrics and a basic translation (click to view the page).
This idea of 3 voices reminds me of the early days of the YoRHa stage play in which the imagery of the Three Wise Monkeys was heavily prevalent, aka See no evil, Hear no evil, Speak no evil. I’m not sure if that was the intended reference here, but I simply couldn’t ignore it.
According to Fujii, the imagery in the opening is meant to reflect 2B, whereas the ending is meant to reflect 9S.
Okabe says that he feels like he was able to wrap things up well with the ending theme and that this has turned out to be a really great job to work on, but more than that, if anyone who watches the show and feels anything extra from the ending theme, then he will know that he did a good job.
“No one can live alone. Not even us YoRHa…” ー2B
▶︎ Final Words
Fujii: I think you’ll really get a taste of what NieR is from these up-coming episodes, so I hope you look forward to it. This is after all the “World of Yoko”, so take that with a grain of salt. There will be moments where you think “Ah, yah… that’s Yoko alright!”
Saito: For those who are fans of NieR:Automata, or just NieR fans in general, I really hope you all watch the second season of the anime.
Yoko: The scenario has undergone multiple revisions, so at this point, I don’t really know where it’s leading, but I can really feel that Masuyama’s really turned up the dial on the second season, so even I’m super excited to see where it’s all leading. I really hope you all tune in! I think it will be even more interesting than you could possibly imagine!
Yoko’s initial plot for Episode 1 was interesting to say the least. This is my rough summary of his script as shown in the recent issue of Newtype magazine.
■ lit. Military Transport Aircraft (Units)
Darkness. A screen turns on to display the current situation. The Commander relays a message: how the machines are demonic and whether YoRHa are valued by humanity.
Glory to mankind / Glory to mankind call and response.
After that, snake-like machine lifeforms break through the walls of the room and begin to devour the YoRHa squadron.
Descending military transport units (輸送機, not the same term that is used for flight units 飛行ユニット, suggesting that these are different, possibly older, tech)
We zoom in on 2B (it’s actually not her but another android that resembles her).
It includes a large-scale descent mission of only female B Type YoRHa androids. The Descent Operation
They come under attack by Snake-like machine lifeforms that come through the walls of the room (likely meant to be the walls of the cockpit of the transport aircraft) and many units are destroyed.
Camera zooms out, and we view things from the outside, and realize that the small rooms that the YoRHa were in were actually the cockpits of the transport aircraft and this is how we find out that they’ve been attacked during the descent.
Other transport aircraft appear, becoming a large-scale descent operation in thunderous storm.
The YoRHa squadron have a much more rugged uniform than in the game, something like a sailor uniform?
Down on the ground, there’s a cluster of machine lifeforms.
The YoRHa squadron mows down the machine lifeforms with overwhelming strength.
Then a Goliath machine lifeform appears and gives the girls a run for their money.
That’s when a large-scale group of male YoRHa join the fray. They’re all S Types.
The boys use Pods to hold back the machines.
The Goliath cuts through them. ★ The boys (S types) and girls (B types) pair off in large numbers. ★ They’re illustrated to be in girl/boy pairs.
■ Command
The Commander and Operators give complicated orders from Command. ★ The squadron are given strict orders.
Commander: They’re weak, but… She squints her eyes. Commander: The essence of their splendor is in their numbers.
The YoRHa Squadron are increasingly outnumbered
Machine lifeforms amass in huge numbers.
The S Types link their Pods together (an ability not in the game) to create a large barrier
The machine lifeforms fire upon them.
But after this, machines rush at them exponentially like an avalanche.
The barrier cannot withstand their combined weight and it breaks.
The girls flee to a sort of shelter area to take cover.
Something rolls along the floor toward them. It’s a machine lifeform head.
Girl: SMASH IT!
It’s struck with a sword, but it’s too late.
The head was a self-detonating bomb.
It explodes and sends the YoRHa flying.
■ The Goal
The YoRHa continue pressing on without glancing back at those who’ve fallen in combat.
The girls aimed toward something.
A fight to the death unfolds.
They press forward even if they should become nothing more than sacrificial pawns. It’s like a typical “last battle.”
The YoRHa make their way to the entrance to a large shelter.
The girls fire upon the door even while they’re killed like flies by the machines.
There’s a large explosion.
A hole in the ground roughly the size of a subway tunnel opens up from which many YoRHa fall into.
YoRHa are reduced to a few groups.
The remaining YoRHa drop their heavy weaponry and switch to equipment that favors speed (this is something new that could be shown in the anime)
The last two standing are 2B and 9S.
9S: Hacking the Goliath complete!
2nd Half ■ A Silent Space
A silent space separated from the thundering sounds from the outside.
The YoRHa squadron proceeds cautiously.
An area like a cathedral built entirely by machines.
There are machines dancing in the center.
A massive mouth that rips off the heads of dead YoRHa.
It’s a type similar to an anglerfish that devours its prey.
2B attempts to attack it, but…… the fish disappears into the darkness.
■ A Trap
It was a huge trap in this area.
YoRHa are unjustly eaten by mysterious means.
Walking further ahead, there are many YoRHa corpses littering the area.
As though bored, machines toy with the corpses.
When it spots the incoming YoRHa, it laughs, “Nitaaaaa…”
In order to destroy their objective, the machines form a wall as 2B and 9S advance onward.
■ The Core
2B and 9S finally make it to the core.
Just when they’re within a single step from destroying it, the ground begins to vibrate suddenly.
Both the ceiling and floor collapse.
■ Super-massive Goliath Class Machine Lifeform
The mountain cracks and opens wide like a pillbug.
The fortress where 2B and 9S were in was actually inside a giant machine lifeform.
2B is tossed out.
9S connects to the core and attempts to destroy it through hacking.
The super-massive Goliath machine lifeform attacks.
A ton of small machine lifeforms begin to scatter.
While 9S is busy hacking the machine, 2B tries to protect him to the best of her ability.
9S: Hacking complete! Its activity has stopped! 2B!!!
2B destroys the unprotected core.
There’s a moment of relief.
That’s when they feel a new vibration.
■ Black Box
2B & 9S are on top of the dead pillbug.
But another pillbug appears one after another.
9S is prepared as he suggests self-detonating their black boxes.
They both agree and self-destruct.
■ Bunker
2B awakens back in the Bunker.
When she meets 9S in the hallway, she discovers that he’s lost his memory.
Only 2B’s personal data was able to be uploaded to the Bunker in time.
Here is the recent preview for the amazarashi “antinomy” music video along with my translation of the text that appears on the screen, as far as I could read, given how blurry and dark some of the text is in some places.
“Such things as puppets…”
“…dolls and wind-up mechanisms often appear in my works.”
“I really like the sense of imperfection.”
“For me personally…”
“…I really liked how they tried to express the idea of humanity…”
“…without being able to freely move the joints.”
PREVIEW: NieR:Automata x amazarashi
“We are machines.”
“We –machine soldiers– were created to kill the enemy.”
“We’re killed over and over, and yet we continue the war.”
“Were we created simply to scream and be slaughtered?”
“I think this world… hates us.”
A theoretical puppet show: antinomy
“This is the first puppet show of its kind made partly in thanks to Akita-san’s song “antinomy”.
Puppet show “Antinomy” Script – Yoko Taro Prologue. The present world.
・Begins in reality. ・In a classroom or gallery. In an empty space.
・There’s a small puppet show table placed in the center of a room. It’s a darkly-lit space that barely has a spotlight shining down on the table. In front of the table is a row of elementary school desks set out in order to observe the show.
